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ALDO TAMBELLINI, born 1930 in Syracuse, U.S.A. Mother from Italy. Father from Brazil taken to Italy as a child where he grew up during the World War II. Survived bombing of his neighborhood. Returned to U.S. after the war. He created together with artists and filmmakers an underground-counter-culture in New York in 1959. Video and multimedia pioneer. 1969 he got the International Price of the "Filmfestspiele in Oberhausen", Germany. Created the Black Gate Theatre in New York, the first multimedia theatre. Many poem-publications. Co-operates with black poets and musicians. He died on November 12, 2020 at the age of 90 years in Cambridge, MA (USA).
The Aldo Tambellini Art Foundation is dedicated to the advancement of the works of Tambellini and the protection and promotion of contemporary art. Furthermore the Foundation seeks to ensure Tambellini’s works are accessible to all via permanent placements and loans in galleries and museums throughout the world.
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2021 REVERENZ AN ALDO TAMBELLINI | Brooklyn Rail, Brooklyn, NY
2020 KONDOLENZEN | Facebook
ALDO TAMBELLINI | Nachruf New York Times
ALDO TAMBELLINI | Nachruf Art News, New York
2018 FLASHES OF THE FUTURE | Ludwig Forum, Aachen
2013 WE ARE THE PRIMITIVES OF A NEW ERA
James Cohan Gallery, New York
2012 RETRACING BLACK | Tate Modern, London
BLACK ZERO, AVANT-GARDE JAZZ, AND THE COSMIC VOID
New York
2011 BLACK ZERO | Chelsea Art Museum, New York
2010 BLACK IS | Pierre Meinard Gallery, Cambridge, MA
DIETMAR KIRVES INTERVIEWS ALDO | Video, Cambridge, MA
BLACK FILM SERIES | Nightingale Theatre, Chicago, IL
ALDO TAMBELLINI'S BLACK FILM SERIES | Harvard Film Archive,
Cambridge, MA
TAMBELLINI DISCUSSES BLACKNESS | The Crimson , Cambridge, MA
2009 THE LIBERATION POETS COLLECTIVE | Pierre Meinard Gallery,
Cambridge, MA
BLACK GATE COLOGNE | Pierre Meinard Gallery, Cambridge, MA
BLACK ZERO | White Box, New York
VENOM, ETERNITY AND OTHER DISCREPANCIES
Experimental Filmclub, Dublin
MEMORIES OF A SYRACUSE NEIGHBORHOOD
Syracuse University, New York
2008 INTERSTITIAL ZONES | Argos Centre for Art & Media, Brüssel
MAITRES DES TEXTURES | La Cinémathèque française, Paris
BUSHWICK FILM FESTIVAL | Brooklyn, NY
RETROSPECTIVE SCREENING | Anthology Film Archives, New York
2007 THE WRITER'S BRUSH | Pierre Menard Gallery, Cambridge, MA
A CULTURAL HISTORY OF SYRACUSE
Thinc's Company Gallery, Syracuse
2005 CROSS-CULTURAL COMMUNICATIONS
The Russian Samovar, New York
WILD BOYS, BAD BOYS, OUTSIDERS, AND ORIGINALS
Clayton Gallery, New York
2003 NO!-ON SHOW | Galerie Berliner Kunstprojekt, Berlin
1994 NO!art with Boris Lurie and Isser Aronovici | Clayton Gallery, New York
NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
