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NO!art |
ALDO TAMBELLINI, born 1930 in Syracuse, U.S.A. Mother from Italy. Father from Brazil taken to Italy as a child where he grew up during the World War II. Survived bombing of his neighborhood. Returned to U.S. after the war. He created together with artists and filmmakers an underground-counter-culture in New York in 1959. Video and multimedia pioneer. 1969 he got the International Price of the "Filmfestspiele in Oberhausen", Germany. Created the Black Gate Theatre in New York, the first multimedia theatre. Many poem-publications. Co-operates with black poets and musicians. He died on November 12, 2020 at the age of 90 years in Cambridge, MA (USA). The Aldo Tambellini Art Foundation is dedicated to the advancement of the works of Tambellini and the protection and promotion of contemporary art. Furthermore the Foundation seeks to ensure Tambellini’s works are accessible to all via permanent placements and loans in galleries and museums throughout the world.
2021 REVERENZ AN ALDO TAMBELLINI | Brooklyn Rail, Brooklyn, NY NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
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